Staged Photo of a Group of Young British Soldiers Having a Mock Battle on a Hillside (1850s)

 

Staged scene of a group of young British soldiers, most probably cadets, having a mock battle on a hillside, c. 1857-1859. An early albumen print.

Source: J. Paul Getty Museum.

Cabinet Card Copy of a Daguerreotype of Streaks of Lightning Over St. Louis, Missouri, Taken by Photographer Thomas Easterly (1847)

 

Cabinet card copy of a daguerreotype of streaks of lightning over St. Louis, Missouri, taken by photographer Thomas Easterly at 9:00 PM on June 18, 1847. The original daguerreotype is said to be lost today and the Missouri Historical Society only has this cabinet card copy in their collections.

Source: Missouri Historical Society.

Portrait of an Unidentified Man Posing on the Rear Platform of a Train Car (1863)

 

Portrait of an unidentified man posing on the rear platform of a train car, c. 1863.

Source: J. Paul Getty Museum.

Portrait of a Group of Communard Soldiers Posing With Two Cannon at a Barricade During the Paris Commune (1871)

 Portrait of a group of Communard soldiers posing with two cannon at a barricade during the Paris Commune in Paris, France, 1871. Cabinet card-sized albumen print taken by photographer Bruno Braquehais.

Source: J. Paul Getty Museum.

Mystery Daguerreotype View of a Street in an Unidentified Town (1840s/1850s)

 

Daguerreotype view of a street in an unidentified town, c. 1840s/1850s. There is a sailing ship on a body of water visible at the end of the street, the masts of a few more ships to its right, and a building under construction in the distance at far right. The contour of the hills in the distance might one way the location of this daguerreotype is discovered because the street probably looks much different if this town is still around today.

Source: Library of Congress.

Self-Portrait of Photographer O. M. Perrigo Posing With His Horse-Drawn Photography Wagon With Darkroom Attached to the Back in Medfield, Massachusetts (1860s)

Probable self-portrait of photographer O. M. Perrigo posing with his horse-drawn photography wagon with darkroom attached to the back. The subject appears to be holding a string which would have been attached to the camera lens cover, allowing him to take a self-portrait. Perrigo seems to have taken this stereoview photograph (cropped and edited for clarity) after taking more than two dozen stereoviews of buildings, machinery and employees at the Excelsior Straw Works in Medfield, Massachusetts, sometime during the late 1860s.

Source: New York Public Library.

Animated Stereoscopic Time-Lapse Daguerreotype Photo Portrait of Swiss Photographer Jean-Gabriel Eynard With Friends And Family (1852)

 

Animated stereoscopic time-lapse daguerreotype portrait of Jean-Gabriel Eynard (elderly sitting man at center) posing with family and friends probably taken in Switzerland, c. 1852. Attributed to Jean-Gabriel Eynard.

Source: J. Paul Getty Museum.

Photo of a Crowd in Front of the Patent Office Building in Washington DC (1860)

 

View of a crowd on front of and on top of the Old Patent Office Building for an unidentified event in Washington, D.C., on May 1860. The event was possibly related to the arrival of a delegation of Japanese diplomats who set foot in the city on May 14, 1860. Possibly taken by photographer Titian Ramsay Peale.

Source: National Portrait Gallery, Smithsonian Institution

Photo of a Model of an Unrealized Version of the Confederate Monument at Stone Mountain in Georgia (1928)

 

View of a model of the unrealized Confederate monument on Stone Mountain in Georgia, 1928. The scaled back carving on the mountain would be completed in 1972. Originally published by Keystone View Company.

Source: Library of Congress.

Photo Portrait of Photographer J. C. Moulton of Fitchburg, Massachusetts (1900)

Portrait of photographer J. C. Moulton (1824-1914) of Fitchburg, Massachusetts, c. 1900. Moulton started taking daguerreotypes in 1848 and took a number of stereoviews of Fitchburg. From the book Fitchburg Past and Present by William Andrew Emerson published in 1903.